|
Real/Parody |
|
|
YOUTUBE DISSOLVES THE REAL |
|
|
FakeTube: Join the Search! (December 3, 2008) |
|
|
"The Ad Store - JetBlue - Mockumentary," by UDirectNYC |
|
|
"History of LOLCats - G4tv.com," by G4TV |
|
|
"Irony is Ubiquitous" (Scholarly Talk and Paper) |
|
|
"the yes men," by nemof |
|
|
"A Special Election PSA," by LovingChrisandGreg |
|
|
FAUJINSKY |
|
|
Faking the Funky (February 12, 2009) |
|
|
Pushing around Henry Jenkins: YouTube Criticism as Cynical Circling (October 14, 2008) |
|
|
REAL AND FAKE AT ONCE ON YOUTUBE |
|
|
Queer You(th)Tube Talk via YouTube (February 15, 2010) |
|
|
The Failures of Fred's Fans: For Youth Media Symposium (April 14, 2010) |
|
|
A Productive Fake Has a Stake: Unnaming in The Owls (September 11, 2009) |
|
|
Dear Ickaprick (September 2, 2009) |
|
|
FAUXING IT ALONE ON YOUTUBE |
|
|
"Youtube Does Not Represent Me," by gooseasalways |
|
|
The Real Me (Part I) |
|
Distraction/Depth |
|
|
YOUTUBE IS A PLATFORM FOR PARENTHETICAL PLEASURES |
|
|
MORALLY DANGEROUS AND CONTAGIOUS |
|
|
A THEORETICAL GUN |
|
|
BOREDOM AND DISTRACTION ON YOUTUBE |
|
|
"Learning from Fred" |
|
|
YOUTUBE USES ITS USERS |
|
|
YouTube War: Jennifer Terry on Viral Video (November 21, 2008) |
|
|
LongForm/YouTube/OxyMoron (April 23, 2009) |
|
|
ON IRAN VERITE |
|
|
ON YOUTUBE, MEANING IS LOST TO FEELING |
|
|
"Worst Movie Ever Made," by baxteric1 |
|
|
YouTube, Popularity, Inanity, Fun! (November 15, 2007) |
|
|
"Fox and Friends," by MediaPraxisMe |
|
|
The Absurdities of Moving from Paper to Digital in Academic Publishing (June 11, 2010) |
|
|
Me 'n MIT: Building Better Contracts for On-Line Publishing (October 23, 2010) |
|
|
DISCIPLINE OR BUST |
|
Punk/DIY |
|
|
YOUTUBE IS DIY: THEN WHAT? |
|
|
LEARNING THE FIVE LESSONS OF YOUTUBE |
|
|
We're Not in Kansas Anymore (August 4, 2008) |
|
|
On Upper-Crass Video and the Washington Post (April 17, 2008) |
|
|
"vernacular video in culture and education," H. Rheingold |
|
|
Toward A YouTube Ethics (May 2, 2008) |
|
|
The Safety Dance (May 5, 2009) |
|
|
DIY Dilemmas (October 24, 2008) |
|
|
Circling Jenkins #2: Boobs and Bytes (October 14, 2008) |
|
|
BOWS AND FLOWS: Composing your Own |
|
|
Everything on YouTube Is Video Art ... Nah (September 10, 2009) |
|
|
I Look to ThirdTube (March 5, 2008) |
|
|
MPme: Variant of a Manifesta (August 27, 2007) |
|
|
YOUTUBE MAY BE DIY, BUT IT AIN'T PUNK |
|
Chaos/Control |
|
|
YOUTUBE IS A MESS |
|
|
DISCIPLINE OR BUST |
|
|
"What I've Learned Mid-Term," by jweitzel |
|
|
INFO WANTS A MAP (AND ETHICS) |
|
|
Video Dada (February 1, 2010) |
|
|
"one person killed in gun shooting in tehran iran 20th june," by newstodayvideo |
|
|
BOREDOM AND DISTRACTION ON YOUTUBE |
|
|
"Everything People Love about YouTube," by edauenhauer |
|
|
CONTROL/CHAOS |
|
|
"Juhasz Final Video," by mediapraxisme |
|
|
YOUTUBE FORECLOSES COMMUNITY |
|
|
YouTube Specificity/History (Le Tigre) (May 21, 2008) |
|
|
YouTube Writing (May 13, 2008) |
|
|
ADD and YouTube by jsanfifty |
|
|
"YouTube Archive Inception Trailer -OR- Rodney Dangerfield In To Kill A Mockingbird," by zwsh89 |
|
Bad Video/Corporate Media |
|
|
YOUTUBE IS BADLY BAKED |
|
|
BAD VIDEO/GOOD FORM |
|
|
DUELING BANJOS |
|
|
YOUTUBE IS BEST FOR CORPORATE-MADE COMMUNITY |
|
|
On Michael Wesch's Whatever (July 18, 2009) |
|
|
Faking the Funky (February 12, 2009) |
|
|
WATCHING BAD VIDEO CAN'T BE GOOD |
|
|
ON YOUTUBE, MEANING IS LOST TO FEELING |
|
|
DECLINE OF THE WORD |
|
|
Video Art on YouTube: The Name is Equivocal (October 27, 2009) |
|
|
YOUTUBE IS A CONVERGENCE SUPERCONDUCTOR |
|
|
YouTube at Five: What's it to you? (May 17, 2010) |
|
|
YOUTUBE REIFIES EXPERTS & AMATEURS |
|
|
"YouTube Movie," by h12citychick |
|
NicheTube/Popularity |
|
|
YOUTUBE IS HOME TO THE FORMAL DIVIDE |
|
|
YOUTUBE IS WHERE WE GO IT ALONE |
|
|
"Blacks On Youtube Final," by VannaBlack4u |
|
|
ON YOUTUBE FORM EFFECTS IF YOU ARE HEARD |
|
|
CRITICISM AIN'T POPULAR |
|
|
YouTube Tour #4: Bad Video: From Meaning to Feeling (February 27, 2008) |
|
|
On YouTube Celebrity and SCALE (September 15, 2007) |
|
|
"SCALE: Measuring Might in the Media Age," by A. Juhasz |
|
|
TOUR #3: Popularity, February 22, 2008 |
|
|
YOUTUBE IS NOT DEMOCRATIC |
|
|
Q&A #3 with Henry Jenkins (February 20, 2008) |
|
|
YOUTUBE IS A POMO TV |
|
|
Yvonne Rainer on YouTube (June 28, 2009) |
|
|
YOUTUBE IS BEST FOR CORPORATE-MADE COMMUNITY |
|
Entertainment/Education |
|
|
YOUTUBE IS EASY TO GET |
|
|
"Fox and Friends," by MediaPraxisMe |
|
|
Learning from YouTube (September 7, 2007) |
|
|
"What Can YouTube Teach Us?" by baxteric1 |
|
|
On YouTube (October 10, 2007) |
|
|
"What I've Learned Mid-Term," by jweitzel |
|
|
AURAL/VISUAL |
|
|
"Learning from YouTube on TV," by MediaPraxisMe |
|
|
YOUTUBE: THE FAILURE OF A LEARNING COMMUNITY |
|
|
"Learning from Fred" |
|
|
The Failures of Fred's Fans: For Youth Media Symposium (April 14, 2010) |
|
|
YOUTUBE IS A POMO TV |
|
|
CRITICAL READING IN QUESTION |
|
|
On Publishing My YouTube "Book" Online (September 24, 2009) |
|
|
The Absurdities of Moving from Paper to Digital in Academic Publishing (June 11, 2010) |
|
|
Me 'n MIT: Building Better Contracts for On-Line Publishing (October 23, 2010) |
|
|
ENTERTAINMENT/EDUCATION |
|
|
Puppies and Car Crashes by jsanfifty |
|
Public/Private |
|
|
YOUTUBE IS HOME TO SELF |
|
|
YOUTUBE SHIFTS THE PRIVATE |
|
|
On Upper-Crass Video and the Washington Post (April 17, 2008) |
|
|
FAUXING IT ALONE ON YOUTUBE |
|
|
Hildebrand on Joanie 4 Jackie (March 31, 2009) |
|
|
YOUTUBE IS FOR AMATEURS |
|
|
BAD VIDEO/GOOD FORM |
|
|
"Small Paul (Frank) Soulja Boy Dance," by mediapraxisme |
|
|
THE PRIVATE SELF: LOST & LONELY |
|
|
"The Machine is (Changing) Us: YouTube and the Politics of Authenticity," by mwesch |
|
|
"SCALE: Measuring Might in the Media Age," by A. Juhasz |
|
|
YouTube War: Jennifer Terry on Viral Video (November 21, 2008) |
|
|
BOWS AND FLOWS: Composing your Own |
|
|
Private Acts on YouTube |
|
Corporation/User |
|
|
YOUTUBE SURE AIN'T THE HOME OF THE FREE |
|
|
YouTube Tour #5: The Owner/User Dialectic (March 11, 2008) |
|
|
"Juhasz Post 3 'Help about YouTube Fame,'" by MediaPraxisMe |
|
|
Fox It Is and Fox Is It (September 21, 2007) |
|
|
LongForm/YouTube/OxyMoron (April 23, 2009) |
|
|
Q&A #2 with Henry Jenkins (February 20, 2008) |
|
|
The Safety Dance (May 5, 2009) |
|
|
Toward A YouTube Ethics (May 2, 2008) |
|
|
YOUTUBE IS SERIOUSLY CENSORED |
|
|
YouTube Tour #6: Losing Community in the Video Archive (March 17, 2008) |
|
|
"What Can YouTube Teach Us?" by baxteric1 |
|
|
Bad On Purpose: On the Corporate Faking of Hand-made Films (September 4, 2009) |
|
|
YouTube at Five: What's it to you? (May 17, 2010) |
|
|
"POWER TO THE PEOPLE (OF YOUTUBE)," by NealJ7K |
|
|
REPRESENTATION IS A CRIME |
|
Pre-Tour: THIRDTUBE! |
|
|
My Orientation (toward YouTube and ThirdTube) |
|
|
10 Terms and 3 Calls (August 23, 2007) |
|
|
The Resolution of MP:me (August 21, 2007) |
|
|
MPme: Variant of a Manifesta (August 27, 2007) |
|
|
On Slogans (August 31, 2007) |
|
|
A THEORETICAL GUN |
|
|
REPRESENTATION IS A CRIME |
|
|
INFO WANTS A MAP (AND ETHICS) |
|
|
YOUTUBE IS A PLATFORM FOR ISOLATED ART-MAKING |
|
|
Looking for Video Artists (November 3, 2009) |
|
|
Video Dada (February 1, 2010) |
|
|
The Stake and the Wedge (September 15, 2009) |
|
|
I Look to ThirdTube (March 5, 2008) |
|
|
TOWARD THIRDTUBE |
|
Pre-Tour: THE CLASS |
|
|
ORIENTATION TO THE CLASS |
|
|
Learning from YouTube (September 7, 2007) |
|
|
On YouTube Celebrity and SCALE (September 15, 2007) |
|
|
Fox It Is and Fox Is It (September 21, 2007) |
|
|
On YouTube (October 10, 2007) |
|
|
YouTube, Popularity, Inanity, Fun! (November 15, 2007) |
|
|
YOUTUBE UNSETTLES COMFORTING BINARIES |
|
|
DECLINE OF THE WORD |
|
|
YOUTUBE: THE FAILURE OF A LEARNING COMMUNITY |
|
|
Q&A #1 with Henry Jenkins (February 20, 2008) |
|
|
Q&A #2 with Henry Jenkins (February 20, 2008) |
|
|
YouTube Tour #1 (Education February 5, 2008) |
|
|
YouTube Tour #2, Entertainment: Humor, Spectacle, Self-Referentiality (February 14, 2008) |
|
|
TOUR #3: Popularity, February 22, 2008 |
|
|
YouTube Tour #4: Bad Video: From Meaning to Feeling (February 27, 2008) |
|
|
YouTube Tour #5: The Owner/User Dialectic (March 11, 2008) |
|
|
YouTube Tour #6: Losing Community in the Video Archive (March 17, 2008) |
|
|
Pushing around Henry Jenkins: YouTube Criticism as Cynical Circling (October 14, 2008) |
|
|
Circling Jenkins #2: Boobs and Bytes (October 14, 2008) |
|
|
Thoughts on Teaching on YouTube (April 28, 2008) |
|
Isolation/Connection |
|
|
YOUTUBE IS WHERE WE GO IT ALONE |
|
|
ON IRAN VERITE |
|
|
"american soldiers flash bombing innocent old guy," by sonekedaddy |
|
|
CRITICAL READING IN QUESTION |
|
|
"Prototypical Hapa Narrative," by kimballzen |
|
|
"Why is Matt Popular?" by dallen1eleven |
|
|
Beyond Visibility/Learning from Ghana (August 20, 2008) |
|
|
"Man With A Movie Camera: The Global Remake (Trailer.2'17)," by perrybard |
|
|
YOUTUBE IS HOME TO SELF |
|
|
The Stake and the Wedge (September 15, 2009) |
|
|
A Productive Fake Has a Stake: Unnaming in The Owls (September 11, 2009) |
|
|
Dear Ickaprick (September 2, 2009) |
|
|
Queer You(th)Tube Talk via YouTube (February 15, 2010) |
|
|
"Who Uses YouTube?" by kimballzen |
|
|
YOUTUBE IS A PLATFORM FOR ISOLATED ART-MAKING |
|
|
"my vlog...conclusion," by woolleysam |
|
Pre-Tour: YOUTUBE IS ... |
|
|
YOUTUBE IS A MESS |
|
|
YOUTUBE IS HOME TO THE FORMAL DIVIDE |
|
|
YOUTUBE IS FOR AMATEURS |
|
|
YOUTUBE IS SERIOUSLY CENSORED |
|
|
YOUTUBE IS A CONVERGENCE SUPERCONDUCTOR |
|
|
YOUTUBE DISSOLVES THE REAL |
|
|
YOUTUBE SURE AIN'T THE HOME OF THE FREE |
|
|
YOUTUBE IS A PLATFORM FOR ISOLATED ART-MAKING |
|
|
YOUTUBE IS DIY: THEN WHAT? |
|
|
YOUTUBE IS A PLATFORM FOR PARENTHETICAL PLEASURES |
|
|
YOUTUBE IS HOME TO SELF |
|
|
YOUTUBE IS WHERE WE GO IT ALONE |
|
|
YOUTUBE IS BEST FOR CORPORATE-MADE COMMUNITY |
|
|
YOUTUBE IS BADLY BAKED |
|
|
YOUTUBE IS EASY TO GET |
|
Post-Tour: LESSONS LEARNED |
|
|
LEARNING THE FIVE LESSONS OF YOUTUBE |
|
|
YOUTUBE IS NOT DEMOCRATIC |
|
|
YOUTUBE IS A POMO TV |
|
|
YOUTUBE REIFIES EXPERTS & AMATEURS |
|
|
YOUTUBE FORECLOSES COMMUNITY |
|
|
YOUTUBE MAY BE DIY, BUT IT AIN'T PUNK |
|
|
Thoughts on Teaching on YouTube (April 28, 2008) |
|
|
INFO WANTS A MAP (AND ETHICS) |
|
|
"YouTube's Form Functions on Entropy," by pitzertube |
|
|
WATCHING BAD VIDEO CAN'T BE GOOD |
|
|
"An Autobiographical Study," by zbrunn |
|
|
TOWARD THIRDTUBE |
|
|
"YouTube as TV in the Future," by brittanialexis14 |
|
|
MORALLY DANGEROUS AND CONTAGIOUS |
|
|
"Does Authenticity Matter?" by SLeePortfolio |
|
HOW TO USE THIS VIDEO-BOOK |
|
|
HOW TO USE THIS VIDEO-BOOK |
|
|
HOW TO COMMENT, INTERACT WITH, OR ADD TO THIS VIDEO-BOOK |
|
|
MORE |
|
Post-Tour: USER-GENERATED TEXTEOS |
|
|
Kevjumba: What We Can Learn from an Average Guy by Alissa Fang |
|
|
Activism and Entertainment on YouTube by Christopher Temple |
|
|
BoobTube - Privates meet the Public, by OliviaPhelps89 |
|
|
Clicks, by Bianca Garcia |
|
|
Vigilante Justice-YouTube as the Everyday Whistleblower by Jaclyn Roher |
|
|
YouTube As a Lonely Space, by Zoe Brunn |
|
|
Youtube: A Worldwide Talent Show, by Brian Gose |
|
|
The Deceit of YouTube by Isha Tirumali |
|
|
Inattention & Distraction by Jordan Santo and Ben Salzman |
|
|
Youtube as a Capturing Mechanism, by Michael Bagby |
|
|
Chaos in the Circle of Youtube, by Tim Stapenhorst |
|
|
Everyday or traditional activities filmed staged or made to be posted on YouTube? by Bree Serna |
|
|
The Last One to Get the Joke, by Oliwa0619 |
|
|
The New Age of The Music Video by Jason Blagman |
|
|
Youtube as the Ultimate Instrument Demo Database, by Zach Shpizner |
|
|
Perfect Parody Production, by Pete Siegel |
|
|
Youtube Texteo: Using YouTube videos as responses to Posts by Drake Escrofani |
|
|
Final Texteo, by Nicola Persky |
|
|
The Effect of YouTube on College Athletics Recruiting by Sean Simmons |
|
|
YouTube: Less is More, by Cordeila Solomon |
|
|
YouTube on Facebook By Paul Outlaw |
|
|
YouTube-tube, by James Shickich |
|
|
YouTube Is the New Video Games, by Beaumont Heidrich |
|
|
YouTube: Make Yourself... Or Don't, by Leo Rosetti |
|
|
The Dark Side of the Moon:YouTube's Unviewed Other Half by JChoops7yt |
|
|
Parodies, by Brian Ssembajjwe |
|
|
YouTube's 100 Million Dollar Gamble by Hannah Gregg |
|
|
Who Is Your Audience? by Hope Marquardt |
|
|
Broadcasting on YouTube by Zach Stewart |
|
|
Everybody Can Play on YouTube, but Not Everyone Can Stay, by Jane Eberts |
|
|
A Haven for the Homemade Celebrity Chef, by Kamilla Rifkin |
|
|
Amateur videos are used to fuel corporate Media by Runcleopatra2 |
|
|
Youtube Is a Launching Point for Reckless Daredevils and New Age Athletic Expression, by William Howard |
|
|
You Tube is a Great Place for Athletes to Self-Advertise by Zack Tannous |
|
|
ThirdTube: What's does it mean? by Chelsea Durgin |
|
|
How to Blend In: YouTube Perpetuates Social Constructs of Women's Beauty by Kristina Block |
|
|
The "Dark Side" of YouTube by Ryan Irish |
|
|
Global Support System on YouTube by Erik Munzer |
|
|
YouTube is Stuck in Puberty… by Evan Otis |
|
|
Machinima: Corporate Tools for the DIY or A Cinematic Foil to YouTube, by Chris Abella |
|
|
Bieber Fever: Getting Noticed on YouTube, by Julia Weiss |
|
|
Final Texteo, by Shane Davis |
|
|
Art Video on YouTube Exists Through the Experience of the Active User, by Victoire Poumadere |
