Blood Sugar

    By Sharon Daniel & Erik Loyer

    Open Project

    In this work I have been more of an immigrant than an artist or ethnographer — crossing over from the objective to the subjective, from expertise or authority to unauthorized alien.

    - Sharon Daniel, Author's Statement

    In Blood Sugar, users explore a series of waveform-like 'bodies,' each of which represents a single interview with a current or former injection drug user.
    Screengrab:     1     2     3  
    Alternative views of Blood Sugar project data:

    All info and conversations from this project page
    http://vectors.usc.edu/xml/projects/blood_sugar_v1.xml

    RSS feed of the conversations from this project page
    http://vectors.usc.edu/rss/project.rss.php?project=95

    Project Credits

    Sharon Daniel   sdaniel@ucsc.edu
    Author
    Sharon Daniel is an Associate Professor of Film and Digital Media at the University of California, Santa Cruz where she teaches classes in digital media theory and practice. Her research involves collaborations with communities that focus on the use and development of information and communications technologies for social inclusion. Her role as an artist is that of "context provider," – working with communities, collecting their stories, soliciting their opinions, and building online archives to make this data available across social, cultural and economic boundaries.

    Erik Loyer   erik@song.nu | http://www.erikloyer.com
    Designer/Programmer
    Erik Loyer's interactive artworks have been exhibited online and in festivals and museums throughout the United States and abroad, including the Museum of Contemporary Art, Los Angeles; the Prix Ars Electronica; and Transmediale. Loyer is the creator of The Lair of the Marrow Monkey, one of the first websites to be added to the permanent collection of a major art museum, and Chroma, an award-winning web serial about the racial politics of virtual reality. As Creative Director for Vectors, he has designed numerous multimedia essays in collaboration with leading humanities scholars. Loyer's commercial portfolio includes Clio and One Show Gold Award-winning work for Vodafone as well as projects for BMW and Sony. He is the recipient of a Rockefeller Film/Video/Multimedia Fellowship, and his works have been honored in the Montreal International Festival of New Cinema and New Media and the California Design Biennial. Loyer has a B.A. in Cinema/Television Production from the University of Southern California.