Evidence
Volume 1 Issue 1, Fall 2005
Excerpt from Evidence's Issue Introduction:
"And we humbly dedicate this issue to those who have been killed by the ongoing violence in Iraq, whose numbers will never be known, whose remains may never be found, but whose traces should not be lost to history."
Mobility
Volume 1 Issue 2, Spring 2006
Excerpt from Mobility's Issue Introduction:
"These bottom-up technological efforts provided valuable services and some comfort in the wake of the disaster, particularly given the slow response of the federal government."
Ephemera
Volume 2 Issue 1, Fall 2006
Excerpt from Ephemera's Issue Introduction:
"The voices that reach us via things that were meant to be forgotten may in fact speak most eloquently to the imperatives and contradictions of our present historical moment."
Perception
Volume 2 Issue 2, Winter 2007
Excerpt from Perception's Issue Introduction:
"While some projects address techniques and devices that span hundreds of years, thus historicizing our understanding of the relationship of technology to perception, we are also concerned with the difference a specific medium or machine might make."
Difference
Volume 3 Issue 1, Fall 2007
Excerpt from Difference's Issue Introduction:
"In mining the subterranean layers of the city's history -- from historic redlining to the budget cuts of the neoliberal era -- the project powerfully connects the dots between culture, politics, economics, and ideology."
Memory
Volume 3 Issue 2, Summer 2012
Excerpt from Memory's Issue Introduction:
"No matter how clearly etched this moment may become in her mind, it is not the event itself she will remember, but our retelling of it, inextricably woven with her own imagination and the narratives of anticipation, however fleeting, that allow us to keep looking forward as well as back."
Current Projects - Current Issue
Volume 4 Issue 1, Fall 2013
Excerpt from Current Projects' Issue Introduction:
"Since Vectors launched in 2005, many more scholars have the capacity to produce multimodal research, and the number of venues for such work has slowly expanded."