"For as long as we have been thinking about, designing, and programming this inaugural issue of Vectors, a war has been taking place half way around the world."

"Each of the projects in this second issue of Vectors in some way serves to remind us of the social and cultural imbrications of technologically-mediated mobility."

"Likewise the computer you are now using will one day crash or become obsolete, perhaps taking its prodigious memory with it, an eventuality that suggests the alarming impermanence of digital media while it hints mischievously at our own mortality."

"Throughout this same period, an array of scholars from a number of fields has tracked the many ways that the machines we interact with co-produce what we can perceive and know."

"She asks probing questions about each video, designed to focus our attention on the larger political and social webs of meaning that engender each excerpt's production and circulation."

"More so than for many Vectors themes, Memory seems to have inspired a range of formal and methodological experiments that stretch our comfortable definitions of scholarly practice."

"With the launch of these two projects by Emily Thompson and McKenzie Wark, Vectors proudly takes the next step in its evolution as a publisher and distributor of leading edge digital scholarship."