Evidence |
Excerpt from Evidence's Issue Introduction: "The times we are living in seem all too real and, against all expectations, the best evidence seems to lie in a few dozen grainy digital photographs e-mailed from the other side of the world." |
Mobility |
Excerpt from Mobility's Issue Introduction: "If the telecommunications and entertainment industries (and countless consumers) are now enthralled with all things mobile, the pieces collected here underscore that mobility is first and foremost a social phenomenon, one with long and troubled histories." |
Ephemera |
Excerpt from Ephemera's Issue Introduction: "Many of the beliefs that once seemed most deeply etched in our national psyche — ideologies of freedom and privacy, for example — may be the very things that must be asserted most vigorously in the decades to come." |
Perception |
Excerpt from Perception's Issue Introduction: "The rubric of 'perception' offers a convenient throughline by which to weave together a number of fields, including geography, cognitive science, film studies, art history, philosophy, and the digital arts." |
Difference |
Excerpt from Difference's Issue Introduction: "Jennifer Terry's 'Killer Entertainments' seeks to contextualize a diverse collection of video footage related to the Iraq War, drawing out threads of connected meaning between what might seem to be diverse clips." |
Memory |
Excerpt from Memory's Issue Introduction: "Finally, it should be noted that many of these projects were completed some time ago (as the clever reader will note as she reads the project introductions." |
Current Projects - Current Issue |
Excerpt from Current Projects' Issue Introduction: "Although we are now only occasionally creating in-house collaborative projects for the journal, Vectors continues to offer a platform for experimenting with the forms and potentials of online scholarship." |