Evidence
Volume 1 Issue 1, Fall 2005
Excerpt from Evidence's Issue Introduction:
"How do we know what is really happening in that place? For those whose only exposure to the war is through streams of data mediated by screens like this one, it may be possible to suspect, as Jean Baudrillard famously declared some fifteen years ago, that none of it is really taking place at all."
Mobility
Volume 1 Issue 2, Spring 2006
Excerpt from Mobility's Issue Introduction:
"Hackers quickly produced new mash-ups of Google Maps, outlining the damaged areas and allowing concerned friends and family members to pinpoint affected neighborhoods."
Ephemera
Volume 2 Issue 1, Fall 2006
Excerpt from Ephemera's Issue Introduction:
"This issue of Vectors is not intended as a celebration of ephemerality, but rather a gesture of respect for the fleeting nature of the present and the material consequences of the past."
Perception
Volume 2 Issue 2, Winter 2007
Excerpt from Perception's Issue Introduction:
"Throughout this same period, an array of scholars from a number of fields has tracked the many ways that the machines we interact with co-produce what we can perceive and know."
Difference
Volume 3 Issue 1, Fall 2007
Excerpt from Difference's Issue Introduction:
"Wendy Chun's 'Programmed Visions' queries the work of the archive in the 20th century, investigating in particular our continued cultural beliefs that race is somehow knowable and mappable."
Memory
Volume 3 Issue 2, Summer 2012
Excerpt from Memory's Issue Introduction:
") The delay in taking this issue live reflects the effort of the Vectors' team on other fronts, as we continue to build new spaces for scholarly interaction with digital platforms that extend the lessons learned producing these projects."
Current Projects - Current Issue
Volume 4 Issue 1, Fall 2013
Excerpt from Current Projects' Issue Introduction:
"Since Vectors launched in 2005, many more scholars have the capacity to produce multimodal research, and the number of venues for such work has slowly expanded."