"In exploring the theme of Evidence, this issue of Vectors suggests that something of particular significance is at stake in our current relationship to the traces that are left behind by human actions."

"Each of the projects in this second issue of Vectors in some way serves to remind us of the social and cultural imbrications of technologically-mediated mobility."

"The images and sounds that pervade our world, indeed the excited electrons that illuminate this screen are, by definition, evanescent — we perceive and make meaning from them in fractions of a second before they flicker, fade or are replaced."

"Together, these seven works suggest that the digital era demands interpretive frameworks more attuned to the flow of digitized information, flexible models for charting both existing and emergent modes of experience and knowing."

"Wendy Chun's 'Programmed Visions' queries the work of the archive in the 20th century, investigating in particular our continued cultural beliefs that race is somehow knowable and mappable."

"Reagan's call for national pride and unity seemed anachronistic even 20 years ago but he pulled it off with an avuncular wink that would have been unimaginable from any of his successors."

"With the launch of these two projects by Emily Thompson and McKenzie Wark, Vectors proudly takes the next step in its evolution as a publisher and distributor of leading edge digital scholarship."