|
Evidence |
Excerpt from Evidence's Issue Introduction: "We invite you to explore the projects in this issue, each of which stages its own articulation of the meaning, nature and significance of evidence as a central element of scholarly practice." |
|
Mobility |
Excerpt from Mobility's Issue Introduction: "Processed, parsed, and analyzed data cannot produce change in a country that has abandoned its domestic infrastructure, neglected the poor, and failed to realize the hopes and possibilities of the Civil Rights era (not to mention the Emancipation era." |
|
Ephemera |
Excerpt from Ephemera's Issue Introduction: "The images and sounds that pervade our world, indeed the excited electrons that illuminate this screen are, by definition, evanescent — we perceive and make meaning from them in fractions of a second before they flicker, fade or are replaced." |
|
Perception |
Excerpt from Perception's Issue Introduction: "The rubric of 'perception' offers a convenient throughline by which to weave together a number of fields, including geography, cognitive science, film studies, art history, philosophy, and the digital arts." |
|
Difference |
Excerpt from Difference's Issue Introduction: "
Over the last several years, I have simultaneously been doing two very different kinds of writing about new technology, one examining race and digital media, often in relation to representation and identity, and one engaging the formal and phenomenological structures of new media." |
|
Memory |
Excerpt from Memory's Issue Introduction: "This issue of the journal also includes a final project designed by Vectors' longtime Creative Director, Raegan Kelly, who worked with Mark Hansen on shi jian: time." |
|
Current Projects - Current Issue |
Excerpt from Current Projects' Issue Introduction: "Since Vectors launched in 2005, many more scholars have the capacity to produce multimodal research, and the number of venues for such work has slowly expanded." |