| Dead Reckoning | Excerpt from most recent thread: "The only flaw in this setup is that some of the text boxes which are obscured cannot be brought forward, thus making it difficult for the viewer to fully experience all of the text and image." - Sonia and Tiffany, University of Southern California, 10.10.2007 |
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| Enfolding and Unfolding | Excerpt from peer response: "Her conceptual diagram and its visual expression (including Raegan Kelly's mesmerizingly liquid line drawings) elegantly and playfully evoke Deleuze's (Liebniz-inspired) concept of the fold." - Jennifer Barker, University of Wisconsin-Milwaukee, 11.29.2006 |
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| Malperception | Excerpt from most recent thread: "The research is clearly extensive and the multimedia format allows each phenomenon to be divulged in its own respective manner." - Dustin Robert Johnson, USC School of Cinematic Arts, 10.10.2007 |
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| Public Secrets | Excerpt from peer response: "Public Secrets" remaps the relationships between public institutions and the private traumas of incarceration, demonstrating the irrefutable linkages between political institutions, everyday life, and gender." - Patricia Zimmermann, Ithaca College, 1.29.2007 |
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| The Virtual Window Interactive | Excerpt from peer response: "There is certainly a strong spine here, but I find it gets lost in the array of examples and commentary." - Leo Braudy, USC, 11.30.2006 |
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| Tracking Theory | Excerpt from peer response: "It is this movement and tracking of multiple, potential times and spaces that Faden outlines as cinema’s shared ancestry with the railroad." - Vicki Callahan, University of Wisconsin-Milwaukee, 11.30.2006 |
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| Unmarked Planes and Hidden Geographies | Excerpt from most recent thread: "Woops!--appears the links had a lifetime, I should have pulled screen grabs." - Craig Dietrich, Sunnyvale, CA, 3.23.2007 |
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