| Dead Reckoning | Excerpt from most recent thread: "This forces the audience to manipulate the text boxes so that they can comprehend the screen layout, which speaks directly to their idea of visual perspectives." - Sonia and Tiffany, University of Southern California, 10.10.2007 |
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| Enfolding and Unfolding | Excerpt from peer response: "I imagined what it would be like if each IP address only had access to certain examples at certain times, for example, or if the order of the examples constantly shifted." - Jennifer Barker, University of Wisconsin-Milwaukee, 11.29.2006 |
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| Malperception | Excerpt from most recent thread: "Some are more well-known, others less so; the occurrence of prosopagnosia, for instance, is well-documented in the literature." - Dustin Robert Johnson, USC School of Cinematic Arts, 10.10.2007 |
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| Public Secrets | Excerpt from peer response: "It circumvents the melodramatic by focusing on the women’s voices and minute descriptions of their daily lives and fantasies as microhistories, all within an explanatory model of reconceptualizing incarceration." - Patricia Zimmermann, Ithaca College, 1.29.2007 |
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| The Virtual Window Interactive | Excerpt from peer response: "The timeline functions as a spine of sorts, but primarily as it focuses on the history of developing technology." - Leo Braudy, USC, 11.30.2006 |
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| Tracking Theory | Excerpt from peer response: "It is this movement and tracking of multiple, potential times and spaces that Faden outlines as cinema’s shared ancestry with the railroad." - Vicki Callahan, University of Wisconsin-Milwaukee, 11.30.2006 |
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| Unmarked Planes and Hidden Geographies | Excerpt from most recent thread: "Woops!--appears the links had a lifetime, I should have pulled screen grabs." - Craig Dietrich, Sunnyvale, CA, 3.23.2007 |
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