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Dead Reckoning
Caren Kaplan, Raegan Kelly
Excerpt from most recent thread:
"The project chooses four topical areas, Perspective, Chronophotography, Edge Detection, and Targeting."
- Sonia and Tiffany, University of Southern California, 10.10.2007
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Enfolding and Unfolding
Laura Marks, Raegan Kelly
Excerpt from peer response:
"She offers "an aesthetic model for the information age," which moves beyond questions of authenticity and reflexivity to focus not on the fixed "meaning" or location of a sign but, instead, on its mischievous fluidity."
- Jennifer Barker, University of Wisconsin-Milwaukee, 11.29.2006
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Malperception
Perry Hoberman & Donald Hoffman
Excerpt from most recent thread:
"Some are more well-known, others less so; the occurrence of prosopagnosia, for instance, is well-documented in the literature."
- Dustin Robert Johnson, USC School of Cinematic Arts, 10.10.2007
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Public Secrets
Sharon Daniel, Erik Loyer
Excerpt from peer response:
"What strategies and forms does "Public Secrets" invoke to intervene into public consciousness about women in prison? 2."
- Patricia Zimmermann, Ithaca College, 1.29.2007
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The Virtual Window Interactive
Anne Friedberg, Erik Loyer
Excerpt from peer response:
"The challenge presented by the Vectors format, it seems to me, is to create an enlightening but uncoercive framework for knowledge that entices the viewer/reader into also being an interactor."
- Leo Braudy, USC, 11.30.2006
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Tracking Theory
Eric S. Faden
Excerpt from peer response:
"As in Godard and Marker’s essays, the tools used in Faden’s tract enable the fulfillment of the “dream” or “promise” of cinema (if I may use Godard’s terms) as a heuristic mnemonic device."
- Vicki Callahan, University of Wisconsin-Milwaukee, 11.30.2006
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Unmarked Planes and Hidden Geographies
Trevor Paglen, Raegan Kelly & Craig Dietrich
Excerpt from most recent thread:
"Woops!--appears the links had a lifetime, I should have pulled screen grabs."
- Craig Dietrich, Sunnyvale, CA, 3.23.2007
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