Dead Reckoning | Excerpt from most recent thread: "The text boxes appear in sometimes rapid succession, obscuring one another and blocking the line of sight of the viewer." - Sonia and Tiffany, University of Southern California, 10.10.2007 |
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Enfolding and Unfolding | Excerpt from peer response: "I imagined what it would be like if each IP address only had access to certain examples at certain times, for example, or if the order of the examples constantly shifted." - Jennifer Barker, University of Wisconsin-Milwaukee, 11.29.2006 |
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Malperception | Excerpt from most recent thread: "The research is clearly extensive and the multimedia format allows each phenomenon to be divulged in its own respective manner." - Dustin Robert Johnson, USC School of Cinematic Arts, 10.10.2007 |
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Public Secrets | Excerpt from peer response: "It circumvents the melodramatic by focusing on the women’s voices and minute descriptions of their daily lives and fantasies as microhistories, all within an explanatory model of reconceptualizing incarceration." - Patricia Zimmermann, Ithaca College, 1.29.2007 |
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The Virtual Window Interactive | Excerpt from peer response: "Here are a few questions and comments:
I wonder generally if the basic interactive format in some ways vitiates the force of an ongoing argument, not just in Friedberg’s project but in any project presented this way." - Leo Braudy, USC, 11.30.2006 |
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Tracking Theory | Excerpt from peer response: "As in Godard and Marker’s essays, the tools used in Faden’s tract enable the fulfillment of the “dream” or “promise” of cinema (if I may use Godard’s terms) as a heuristic mnemonic device." - Vicki Callahan, University of Wisconsin-Milwaukee, 11.30.2006 |
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Unmarked Planes and Hidden Geographies | Excerpt from most recent thread: "Interestingly, I stumbled upon this web site while doing some research on the project's relationship to other research." - Craig Dietrich, Sunnyvale, CA, 3.1.2007 |
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