"Caren Kaplan and Reagan Kelly’s Dead Reckoning is a very innovative project which details the historical significance of visual perspectives in military operation and their impact on visual culture."

"She tracks the movement of a given image as it's "plucked" or unfolded from experience, migrates into information and/or image, and is enfolded again."

"The average viewer, however, should be able to tell that the image is not a scientific representation, but is meant to contribute to the accessible, popular-reading feel of the project."

"Critical historiography shifts history from the temporal vector of causality to the spatial vectors of layers, multiple voices, disjunctures."

"The challenge presented by the Vectors format, it seems to me, is to create an enlightening but uncoercive framework for knowledge that entices the viewer/reader into also being an interactor."

"It is this movement and tracking of multiple, potential times and spaces that Faden outlines as cinema’s shared ancestry with the railroad."

"Woops!--appears the links had a lifetime, I should have pulled screen grabs."