| Dead Reckoning | Excerpt from most recent thread: "Nevertheless, Kaplan and Kelly ultimately present a thoughtful and engaging experience for learning about the multiple portrayals of visual perspective through the context of military operations." - Sonia and Tiffany, University of Southern California, 10.10.2007 |
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| Enfolding and Unfolding | Excerpt from peer response: "She tracks the movement of a given image as it's "plucked" or unfolded from experience, migrates into information and/or image, and is enfolded again." - Jennifer Barker, University of Wisconsin-Milwaukee, 11.29.2006 |
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| Malperception | Excerpt from most recent thread: "Each link leads to a considerable amount of textual information that has been boiled down from its original state and broken up into short paragraphs and surrounded by images that keep it from feeling uninviting or daunting." - Dustin Robert Johnson, USC School of Cinematic Arts, 10.10.2007 |
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| Public Secrets | Excerpt from peer response: "Public Secrets" raises questions of great significance to documentary practice: explanatory models and critical historiography." - Patricia Zimmermann, Ithaca College, 1.29.2007 |
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| The Virtual Window Interactive | Excerpt from peer response: "That anamorphic skull in Holbein’s Ambassadors isn’t just a bit of artistic virtuosity or anti-theoretical perversity." - Leo Braudy, USC, 11.30.2006 |
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| Tracking Theory | Excerpt from peer response: "1 Here I must thank Jonathon Rosen for reminding me in a presentation on his work in my class this week that “moving pictures” references not only pictures that move, but also images that emotionally move us." - Vicki Callahan, University of Wisconsin-Milwaukee, 11.30.2006 |
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| Unmarked Planes and Hidden Geographies | Excerpt from most recent thread: "Woops!--appears the links had a lifetime, I should have pulled screen grabs." - Craig Dietrich, Sunnyvale, CA, 3.23.2007 |
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