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Dead Reckoning
Caren Kaplan, Raegan Kelly
Excerpt from most recent thread:
"This forces the audience to manipulate the text boxes so that they can comprehend the screen layout, which speaks directly to their idea of visual perspectives."
- Sonia and Tiffany, University of Southern California, 10.10.2007
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Enfolding and Unfolding
Laura Marks, Raegan Kelly
Excerpt from peer response:
"I imagined what it would be like if each IP address only had access to certain examples at certain times, for example, or if the order of the examples constantly shifted."
- Jennifer Barker, University of Wisconsin-Milwaukee, 11.29.2006
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Malperception
Perry Hoberman & Donald Hoffman
Excerpt from most recent thread:
"Some are more well-known, others less so; the occurrence of prosopagnosia, for instance, is well-documented in the literature."
- Dustin Robert Johnson, USC School of Cinematic Arts, 10.10.2007
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Public Secrets
Sharon Daniel, Erik Loyer
Excerpt from peer response:
"It circumvents the melodramatic by focusing on the women’s voices and minute descriptions of their daily lives and fantasies as microhistories, all within an explanatory model of reconceptualizing incarceration."
- Patricia Zimmermann, Ithaca College, 1.29.2007
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The Virtual Window Interactive
Anne Friedberg, Erik Loyer
Excerpt from peer response:
"The timeline functions as a spine of sorts, but primarily as it focuses on the history of developing technology."
- Leo Braudy, USC, 11.30.2006
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Tracking Theory
Eric S. Faden
Excerpt from peer response:
"It is this movement and tracking of multiple, potential times and spaces that Faden outlines as cinema’s shared ancestry with the railroad."
- Vicki Callahan, University of Wisconsin-Milwaukee, 11.30.2006
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Unmarked Planes and Hidden Geographies
Trevor Paglen, Raegan Kelly & Craig Dietrich
Excerpt from most recent thread:
"Woops!--appears the links had a lifetime, I should have pulled screen grabs."
- Craig Dietrich, Sunnyvale, CA, 3.23.2007
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